![]() The beginnings of the Industrial Revolution towards the end of the 1700s accelerated this advancement in piano technology and with that, a whole new world of pianistic possibilities opened up for 19th-century composers. The B-flat minor Scherzo was hailed as a masterpiece, outshining even the first Scherzo in B minor, which had already been ever-present on concert platforms.Although the earliest pianos date back to circa 1700 (towards the end of the Baroque era), the piano underwent centuries of subsequent development to become the instrument we know and love today. This is indeed a fascinating piece, demanding brilliance, lyricism as well as a keen sense of dramatic structure.īackgroundIn the mid-1830s Chopin arrived at a new, mature style exemplified by the the concentrated drama of the second Scherzo and the deep-felt lyricism of the Nocturnes, Op. ![]() It is almost as if the original "questioning" voice were returning to speak at a greater length, which it does with increasing confidence, making more and more emphatic statements before leading back to the return of the opening section and on to the magnificent coda. In the B section, things become quieter and more contemplative. This exchange happens numerous times before we get to the vibrant flowing melody that is repeated with variation throughout the piece. The mysterious opening motif, so short and quiet that it's almost inaudible, is followed by a very loud, majestic statement. Chopin himself used the piece in his teaching and admonished his pupils to play the first measures in a manner that evoked the image of a mortuary. 2 in B-flat minor is especially notable for its sotto voce opening that seems to represent a kind of question and answer. ![]() Sign up to listen & download > Conversation with the dead.?Chopin's Scherzo No.
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